Apologies to Franz if you had something ready to post, there’s just no way I can let Papicultor blast Mongo Santamaría’s Sofrito without following it up with Mongo’s 1969 release Stone Soul. For one, the cover is just as mouth watering. But then after watching Smokestack’s Forever We Rock B-Boy crewmate Whacko‘s insane footwork, I can’t resist dropping the needle on Mongo’s rendition of Cloud Nine. He actually played congas on the original version by The Temptations, so here you get to listen to Mongo along side legendary session musicians Bernard Purdie, Art Kaplan, and Hubert Laws as they completely let loose with an amazing blend of Funk and Afro-Cuban rumba. Without a doubt they created a certified B-Boy anthem. I haven’t break danced since I was 10, but every time I hear this song I get that itch to try it again.
As always, I’m looking forward to hear what my fellow pelanguero djs are going to throw on next.
I really like where you’re headed with this, Pozole. While I cue up the next song, I have to say I can’t agree more with you, man. I have to walk behind the booth every other song to see what y’all are playing! And even in a record that I own, you guys bring to light these amazing songs that I haven’t even noticed. I hadn’t really paid too much attention to Ray Barreto’s ‘Power’, and on an album called ‘Power’! Thank you for rectifying.
That track got me all excited to post an old favorite, but I just realized that I let Smokestack borrow it. Well, it’s in very capable hands, I can’t wait to see what he’ll do with it. So let’s try something else, inspired by your last two
posts (and by the opportunity to blast “Sofrito” on La Peña’s sound system last Saturday. Someone asked me what ‘Sofrito’, and the best (only?) answer was to have her look at the record cover.)
No doubt many of you know Mongo Santamaria’s “Sofrito”, a Pelanga favorite and a classy, classy tune. A just-so-slightly melodramatic piano intro turns into one of the most memorable tumbaos in salsa, adorned by such an elegant horn section and beautiful solos waay up top. Monguito’s subtle work on the congas keeps everyone grounded and lets them shine. Restraint can be so powerful!
This is not the song I meant to post, but I can’t help it.
What you might not know is how Monguito follows this up. In the next track he brings us back down low, with a praise to Shangó that is equal parts heavy funk and pure rumba cubana. What else can I say?
O Mi Shango by Mongo Santamaría
Franz Tunda, I know you’re busy, but I also know some of what’s hiding in your crates. Wanna take it from here?