“El Motor” – Aramis Camilo y La Organizacion Secreta

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So what we have here is one Aramis Camilo y La Organizacion Secreta’s classic albums from the 80s. They seemed to have borrowed Willie Colon’s persona idea of being mobsters (on the back cover you’ll notice the guy in the car is actually holding a gun). By no means is this gangster merengue, in fact Aramis’s music embodies so much of what I love about merengue from this period. Unlike long self indulgent salsa intros, this music kicks into gear right from the start and packs more energy per note. This song El Motor was one of Aramis’s biggest hits. To be honest I preferred some of the other songs on the record UNTIL I saw this video of it performed live back on DR’s legendary TV show Medio Dia. I’ve probably watched this video at least a 100 times. Time to get on su motor and ride. More merengue videos to come. Enjoy!

As always, big shout-out to William—the only person at our parties that knows every merengue song we play.

~pozole

 

Aníbal Velásquez

I’m psyched to see all the recent excitement over Anibal Velasquez’s expansive discography. I’m especially happy that the good people at Analog Africa picked up on him and put out this *impeccable* compilation.

I’m not sure what a barranquillero is doing in “Analog Africa”, but the series is amazing and will surely get him some well-deserved attention. Apparently he is about to go on his first European tour!

Anyway, here’s a relentless merengue, thanks to Radio Cordialidad:

Contigo No Más by Anibal Velasquez

Contigo No Más

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The next track is a collaboration with the great Carlos Román. This might be from the late 50s or early 60s; does anyone know? The crappy sound quality is to be expected – one quick look at this 78″ is enough to tell you that this thing has been around the victrola one too many times.

El Desfile by Anibal Velasquez Y Carlos Roman

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Want more? Here’s some *serious* footage from an upcoming documentary by Sanjay Agarwal and Ivan Higa:

and some more great tracks thanks to Oakland’s Sonido Franko:

 

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El Mayimbe – Cumbia Merenguera

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In the big wide world of Latin American music it’s not uncommon for big time artists who have hit the heights of their genre to attempt a hybrid song where they blend their style of music with another in order to create something brand new and branch out a bit. Usually these attempts are the songs that get skipped over as they are too forced and just end up confusing the dance floor, but here we have an exciting exception by El Mayimbe, aka Fernandito Villalona. Cumbia Merenguera is actually miles ahead of everything else on this record and has become one my favorites of the original El Mayimbe. Enjoy.

Cumbia Merenguera

Cumbia Merenguera by Fernandito Villalona

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Carnaval (Baille en la Calle) – Fernando Villalona

Time to hop over to Santo Domingo to experience carnaval with your host Fernandito Villalona. This video may be a bit staged (stopping for some tamarindo on his way to the concert), but have no doubt El Mayimbe was the king of the Dominican Republic in the 80s. Despite the early production quality, this old school music video does exactly what it’s supposed to—has us wishing we were there dancing in the streets with them. Enjoy!
-Posoule

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Las Chicas Del Pais “A Quien No Le Dan”

You can’t deny this cover. Hella traviesas! That look in their eyes says one date with them and you’re in for a couple fights, a wrecked car, getting thrown out of clubs, and a horrible hang over. But then it’s all worth it cuz you danced to music like this.

-DJ Pozole

Front

A Quien No Le Dan

A Quien No Le Dan by Las Chicas Del Pais

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Central African Republic to Dominican Republic, Soukous to Merengue

The first merengue CD I ever bought was by Juan Luis Guerra, thanks to my fellow student, known fondly as Copete, who taught me how to dance it when I arrived at college. Little did I know that ten years later I would play “A pedir su mano” (Translation: “To ask for her hand”) during my wedding. It was too appropriate – we couldn’t pass it up.

(The video includes some bad 80s effects and some brilliant footage of the Dominican Republic. I’d never seen it till now.)

Also at college, I was invited to learn and perform a dance to Soukous, thanks to Janet and Kirimania. When people who hadn’t heard it before asked me to describe what Soukous sounded like, I would tell them it was “how you’d imagine Merengue sounded before it crossed the Atlantic”. At the time I didn’t realize that in fact, it really had.

This was affirmed again many years later, when we picked up this little treasure:

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And to our surprise, we found this song, Dédé Priscilla, by Lea Lignanzi – the original version of “A pedir su mano”. Since then we’ve tracked down a few other tracks by Juan Luis Guerra that are adaptations of soukous. Maybe I’ll dig those up for you sometime.

Dede Priscilla by Lea Lignanzi

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