My friend Feven pointed me to this incredibly beautiful short film on the Ethiopian classical pianist Emahoy Tsegué Mariam Gebru. Thank you, Feven! You can click on the CC for English subtitles, but, really, the film speaks for itself.
It’s been a bit of a crazy summer over here, and I guess you shouldn’t be surprised when a 90 year old nun knows exactly what you need. I’ve been playing her music all day long. After watching this, I’m pretty sure many of you will, too.
The life of a mathematician may not be the most glamorous one, but I do get to travel all over, and I always budget an extra day to hide from my hosts in some little basement full of records. I just returned home after several months of travelling, conferences, even a new theorem or two, time with old and new friends, and a great stack of records that I’m slowly catching up to. There’s so much music I want to share with you all that I don’t even know where to start!
So to start somewhere, I’m going to follow Smokestack’s lead. I loved his Polyrhythmo post, and one of my favorite parts of any Pelanga is when he goes and busts out some incredible Beninese salsa track from the deep end of his crate. Following his lead, I also managed to get a hold of a few great records from Benin over the last month. I might save my favorites for our upcoming Pelanga in a couple of weeks, but of course Joachim Boya + l’orchestre Black Santiago has to be pretty close to favorite:
“Alphabetisation” has a spot reserved in our Educator’s Special mix (years in the making). It’s got that groove, that keyboard, and that killer break towards the end that leaves you with a melody which you’re not about to find on this side of the Atlantic.
In case you were wondering who was peeking through the 45 hole in my last post, I decided to share another breath-taking pachanga from that very person – Guinean master guitarist Kante Manfla. Manfla is one of those prolific artists, who due to varied and sometimes ambiguous associations confuses the inquisitor. Just check out World Vision’s investigative post from back in 2009 and you’ll see what I mean. Without any answers to the many questions about Kante Manfla, I’ll simply leave you with this call to the dancefloor – Keleya. Make no mistake, this song is exceptionally potent with Manfla’s Son-africano flavor and gets played on repeat at my place. Just listen to the way the drums, guitar, flute, and horns take turns telling their own tale of Keleya while you work up a sweat.
Whoa! That was my reaction to first laying eyes on this record. Master Blaster is just a dope name. I’m not sure if they took it from Stevie Wonder’s hit song from Hotter Than July, but paired with this album art I was absolutely loving it before even hearing it.
So who are Master Blaster? They just happen to be a really great 80’sKaseko band from Suriname. If you’ve never heard Kaseko music before, it’s something like a New Orleans brass band, but with more Caribbean flavor sung in Dutch creole. For whatever reason most records you find from Suriname, are 12″ singles or EP’s, which I love because you get a nice loud pressing and some fun melodies like this one.