Santa Barbara

So today, December 4, is el dia de Santa Barbara. For those in Cuba who believe in her and Chango (the Orishas deity) today is a day of great celebration and gives myself a wonderful reason to present the amazing Celina González Zamora and her husband Reutilio Domínguez, better known as Celina y Reutilio. Their music represents the Cuban countryside (guajiro) and Cuban gauracha. The first thing you will likely notice about their music is her voice. It’s at the forefront of their music and with good reason. The power, pride and conviction that comes across with every syllable she sings grabs a hold of you and commands total respect. Here is one their of their biggest hits, A Santa Barbara taken from their album from the same name.

A Santa Barbara by Celina Y Reutilio

I have to insist you watch this video of Celina y Reutilio performing A Santa Barbara from a Cuban movie called Rincon Criollo from the 1950s. The sound is extremely low so I recommend playing the audio track at the same time as this video. The reason being is because of the AMAZING dancing that accompanies the music in this scene. Take note this guy is wearing a machete at his waste the entire time AND even does the Michael Jackson toe stand!

 

 

For you salsa lovers you likely recognize this song as Celia Cruz had it hit with it, but my favorite salsa version is from the legendary Fruko who did an amazing melody of Celina y Reutilio’s A Santa Barbara, San Lozaro (sometimes refereed to as Babalu) and A La Caridad Del Cobre taken from his album Ayunando. Both these albums are reprinted on CD and I can’t recommend them enough. Enjoy!
– Posoule

Mosaico Santero by Fruko & Sus Tesos

P.S. Thanks to Papicultor for lending me Fruko’s version!

 

 

DJ Smokestack presents: P-Way’s “From All Angles”

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Editor’s note: It’s our great pleasure to present another excellent guest pelanguero: our homie and goalkeeper

DJ Smokestack. Smokestack is an Oakland based B-boy, DJ, and avid funk connoisseur, and if you haven’t already heard his compilation of Bollywood disco, Shitala, you need to ask somebody. Along with crews Forever We Rock/Horsepower, Smokestack represents a rich tradition of b-boying fundamentals in Northern California. You can read about his record-digging adventures here:

For even the infrequent reader of La Pelanga, it’s clear there’s only one rival to the “Pelanga” flavor they bring – the beautiful game of futbol! Of course, on this first guest post I want to keep that flavor going, but gotta first pay homage to what initially connected me with the folks – playing pick-up ball in the park.

Though basketball is the undisputed champion of the hip hop aesthetic in the US, there is definitely a voice for those who, like me, like to juggle a soccer ball to the sounds of the Dungeon Family or Hieroglyphics. Professor Whaley of San Francisco’s Bored Stiff crew is one such voice. Waley, a veteran in the Bay Area’s public school classrooms and rap scene, rhymes with much swagger, while also possessing some often missing ingredients in today’s hip hop charts – a real grassroots commitment to social justice and integrity (ouch!). 

While P-Way’s  2000 “From All Angles” full length is quality straight through, my attention today goes to “Copa Mundial”, the first song that truly merged my love for futbol and rap music. I may not have grown up playing ball in the Bay Area, but Copa gives me the chance to reminisce on my own teenage glory days in Texas and imagine what it would be like to grow up having your style of play influenced by such cultural diversity! 

P-Way lays it down simply…”more people play soccer than football, basketball, and baseball combined”. While this is just cold fact, sadly in the US there still lingers an ignorant soccer-hating mentality, bred from latent american-centrism. Though it’s clear the sport continues to make advancements in the popular and collective conscious of the US, there is much ground to cover in order to foster a true sense of love for the game in the country as a whole.

All that aside, the music itself is solid, blending a nice mix of conga, afoxe, and other latin percussion with tinges of P-Way’s own dubbed-out trumpet playing and a bass heavy hip hop production style. If you’re feelin’ it, there’s a free download online along with the full album and other Bored Stiff productions…