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When it comes to salsa, I’ve always been biased towards the Nuyorican and Colombian salsa dura from the 70s. Understand: I learned about salsa in the seedy billares of Bogotá from a bunch of drunk dudes, dancing with their billiards sticks, singing out of tune: “Mete la mano en el bolsillo, saca y abre tu cuchillo, ten cuidao.” No salsa romántica there.


Back then, as a 15-year old, I considered myself a punk rocker – though I don’t think anyone noticed. I really didn’t want to like salsa, but there were some songs I could never get out of my head. One of them was Willie Colón’s “Che Che Cole”, from the album “Cosa Nuestra”. You’ll have no trouble finding the original recording in your nearby music store or on the internet. Here’s a great video from back in the day (with a little Bang Bang Lulu at the end, nice!)

I’d always heard that Che Che Cole was based on an old African tune, so I was psyched a couple of weeks ago when I stumbled upon this (Ghanian?) record which I knew nothing about, except that it had a track called ‘Che Che Kule’. For $4.50, why not?


Che Che Kule by Kumbi Saleh

Che Che Kule

Ok, that’s pretty cool too.
But do they have anything on these kids?

PS – As a bonus track: Here is an incredible recording of Willie Colón and Héctor Lavoe’s band (see Chapters 9-12) at their prime, courtesy of my teacher Louie Romero. He’s the timbalero in the bee outfit on the video, and also the timbalero on the ‘Cosa Nuestra’ record. (And also the corpse on the cover!) If you are lucky enough to be in the SF Bay Area like we are, go check out his current musical project ‘Mazacote’. Ataca, Romero! (This is where you plug into some good speakers or headphones if you have them.)

(On that same page you also get to see 1972 footage of Rahsaan Roland Kirk, Tito Puente, Taj Mahal, Earth, Wind & Fire, Max Roach, Ron Carter, … Massive thanks to thirteen!)


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palo de mayo – Dimensión Costeña

In my mind, the beauty of the San Francisco Carnaval is the opportunity to see how all these different people in the Bay Area get down: not just the Brazilians and the Trinis, but also the Salvadoreans, Filipinos, Mexicans, Panamanians, Chinese, Guatemalans, Belizeans, Hawaiians, Bolivians, drag queens, Asian sambaheads, modern-day urban pirates (?!?!)… and best of all, the little Mission kids, who are all of the above. It might not be the wildest of carnavals, but it’ll teach you something for sure.

So it was in the SF Carnaval that I first heard, and was floored by a local Nicaraguan group playing palo de mayo. Since then, most of the Nicaraguans I’ve asked about it discarded this as “musica de negros”. Which is always a good sign.

Anancy Oh by Dimension Costeña

Anancy Oh

Here’s Dimension Costeña, autographed! (As you can see, this record seems to be a kind of draft. For good or bad, “continuacion de melancolia” did make the final cut.)



I was really surprised to find this song here – big hit back home in the 80s:

Cole Cole No. 2 by Dimension Costeña

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“Mosaico de Panama” – Super Combo Los Tropicales


I’m posting this great tune for 2 reasons. 1, we’ve yet to represent any música venezolana, and 2 this song is just so incredibly cheery. I’ve heard numerous versions of it, (perhaps originally done by Tito Rodriguez?) but I really like this version. Anyone that knows me musically knows I love rough and raw out of tune drunken style music, but sometimes I need a tight orquesta that can play me a song to perfection. Super Combo Los Tropicales, who have been around for 40+ years, are about as flawless as it comes. Enjoy.

Mosaico De Panama by Super Combo Los Tropicales

Mosaico De Panama

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“¡Ay! Los Callos” – Señorial Marimba Orquesta Ave Lira


Despite the Marimba’s amazing lineage and stories of it’s arrival from West Africa to the Caribbean, the samplings of marimba from Mexico/Central America that I have heard never really grabbed me. My assumption was if you have 3 people playing a furniture sized percussion instrument the music should be extremely uptempo and lively, but to my ears they sound rather tame compared to the smaller marimbas of Colombia and Ecuador who incorporate a lot more tambores. That was until I came across this wonderful record by Señorial Marimba Orquesta Ave Lira. I was immediately filled with hope of something different when I saw all of 8 brass musicians on the cover. René Garcia Molina founded this legendary Guatemalan group in 1963 and went onto record upwards of 40 records! I’m very proud to own this 1974 recording and to have finally come around to marímba guatemalteca. Enjoy.

¡Ay! Los Callos by Señorial Marimba Orquesta Ave Lira

¡Ay! Los Callos


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